nineveh_uk: Illustration that looks like Harriet Vane (Default)
One of the major casualties of Covid for me has been the theatre, which I'm simply not up to going to as much as I was, so it was great this winter to go to two really good productions.

Natasha, Pierre and the Great Comet of 1812, Dave Molloy, at the Donmar Warehouse.
Musical based on War and Peace - wisely, on a limited chunk of War and Peace - finally making it to the UK in an excellent production. I'm so out of touch at the moment that I didn't know it was going to be on, but fortunately [personal profile] antisoppist did. I've no idea why it has taken 12 years (OK, Covid might have played a role there), because it is enormous fun. As the prologue tells us 'Natasha is young and Andrey' isn't here, but a lot of Moscow society is and taken up with entertaining itself at other people's expenses/being a miserable sod. Will Natasha's life be ruined for other people's idea of a good time? Will Pierre get a grip? Will anyone ever recognise (incuding Tolstoy) that Sonya is the MVP*? The singing and performances were excellent, production fast and sharp, and though it is not deeply moving, it tells its story very well. Surely some regional producing theatre must want to put it on? I'm baffled sometimes by UK theatre's curious resistance to the musical as a genre, despite the West End.

Plus surely the best piece in praise of a taxi driver in musical theatre.


The Flying Dutchman, Wagner, Opera North.
I went up to Leeds to see this with my father and sister a week after Great Comet, and I have to admit that about a minute into the overture I was thinking, 'Great Comet was excellent, but this is on another level.' Fabulous orchestral playing of a magnificent score, superb singing and acting, a riveting experience from start to finish. The production introduced some concepts of refugees, being lost on the sea and wandering, including voices of refugees speaking their experiences, that met with a mixed reception. Frankly, I didn't think it really added much to the main narrative, but I've come across infinitely worse opera production concepts, and the critical bafflement about this one seems out of proportion. It was a pretty straightforward production with an additional element, there was no obscurity of the main story, and making Daland a government minister ranks pretty low on "weird things that happen in opera stagings".

Much more distracting to me was something integral to the original. While I was aware of the basic story (sailor cursed to wander the seas coming to land only once ever seven years, unless he can be saved by the love of a good woman), and there is little more plot than that, what I hadn't realised was that the second act is basically this:

Heroine's father: So I've offered you to this rich creepy kind of ghost sailor for his money.
Heroine: I have read a million vampire fanfics, I am READY.

I am not kidding. Senta is literally the girl that people worry about reading Twilight, she is DTF the exotic erotic scary doomed creature, and Wagner thinks that this is cool.

Have you seen the ship upon the ocean
with blood‑red sails and black masts?
On her bridge a pallid man,
the ship's master, watches incessantly.
Whee! How the wind howls! Yohohe!
Whee! How it whistles in the rigging! Yohohe!
Whee! Like on arrow he flies on,
without aim, without end, without rest!
Yet there could be redemption one day for that pale man
if he found a wife on earth who'd be true to him till death!
Ah when, pale seaman, will you find her?
Pray Heaven, that soon
a wife will keep faith with him!
...
Let me be the one whose loyalty shall save you!
May God's angel reveal me to you!
Through me shall you attain redemption!


I sat there thinking what a pity it was that Wagner died too soon to see Nosferatu. There is also some wonderful sea music, and the Dutchman has a great aria, but honestly, it's Senta's batshit goth fangirlery that sticks with me.


*Credit to the Olivier Awards, who gave Maimuna Menon the award for best supporting actress.
nineveh_uk: Illustration that looks like Harriet Vane (Default)
OK, I admit that this is probably me showing my age, but there really ought to be a Nirvana in Fire Prince Jing/ Mei Changsu vid to Bryan Adams '(Everything I Do) I Do It For You'. Just look at those lyrics:

Look into my eyes
You will see
What you mean to me
Search your heart
Search your soul
And when you find me there
You'll search no more

I'm a reasonable person, I will cut the rest of the excerpt.) )
nineveh_uk: Illustration that looks like Harriet Vane (Default)
There is a lot of free opera around just now. I decided that after all I was too tired for the Met's Tristan and Isolde stream, but intend to enjoy some Wagner through finally watching all of Opera North's amazing concert Ring Cycle.

But last night was easier fare, something offering the combination of tunes, character and plot that is what I need in all my favourite operas, namely the Met's Eugene Onegin with Renee Fleming and Dmitri Hvorostovsky. And very enjoyable it was too. The box-like set was unable to resist the lure, this being a Russian setting, of a few birch trees, although there was a disappointing lack of dancing. The different dances are important, damn it! I've only seen Onegin live once plus the ballet (thanks, lurgy), but I love the music and am the sort of sap who loves the story, but also finds it funny. I really liked Hvorostovsky as Onegin - yes, he's a complete tosser, but also a man who has trapped himself, he deserves what he gets in the end, but is also sympathetic. It's partly the smile, an austere face that can suddenly light up and look human.

A problem for opera, especially filmed, is that inevitably the leads don't look the age of the characters. I would love a TV series in which all the characters are cast their age. In the Fiennes film, Liv Tyler is nearly young enough for Tatiana, but I feel too statuesque to look 17*, and Fiennes is way too old. It makes so much more sense when all the protagonists in the first half are in their teens/early 20s. And I like to think that Tatiana will have some happy years with Gremin who will then drop dead of a heart attack and leave her a wealthy widow who marries someone her own age, not Onegin (once she has the chance, she thinks "No").

It was in short an excellent thing to watch to focus on something that required concentration and not worrying about current events, though it did rather mean that I put the phone down on both [personal profile] antisoppist and my Mum in order to finish before the time ran out.

Subsequently, I found myself thinking of an old LJ/DW post Opera in the Nexus. Clearly Eugene Onegin fits right in.

Barrayar: Absolutely no alterations needed! This is the perfect Barrayaran opera, all about honour and love, and of course Russian. The only difference from the original is the title - it is called Tatiana, and thus becomes about a girl from an obscure Vor family on the South Continent who falls foolishly in love, albeit is saved from herself by Vor traditions of honour that Onegin adheres to if nothing else, but grows into an ideal Vor wife, protecting the genome through her fidelity to her husband.

Beta Colony: The entire audience is baffled as to why everyone doesn't just wear the right earrings and save a lot of bother.

Have some clips.

Moscow State Symphony Orchestra doing the waltz (music only, but fabulous).

The Bolshoi doing the polonaise old-school.

Two from the Met Opera production. Onegin's Act 1, or "what a tosser", aria (sorry about the French subtitles):



Final scene:



*She would have been a wonderful Georgiana Darcy, though.
nineveh_uk: Screenshot of Eowyn, holding a sword, (Eowyn)
This train of thought is brought to you by the black swans Aragorn spots flying across Anduin, and the black-feathered orc arrows mentioned early in The Two Towers.

Thought one: what are black swans doing in the service of Sauron*? Are they a sign that the Numenoreans discovered the Middle Earth equivalent of Australia and brought back ornamental birds? Is Aragorn's ornithology or eyesight lacking here, or is he indeed being metaphorical and they are not black swans at all, he is remarking on an impossibility? Or just as the Company are mistaken about the eagle-that-wasn't-evil, are the swans not evil at all, but fleeing the bondage of Sauron?

Thought two: if Mordor-Orcs have black-feathered arrows, where are they getting the feathers from? Are they dyed? It's possible. Unlike the black horses, stolen from Rohan, it is probably easier to dye a vat of feathers than a horse, and it hardly seems beyond Sauron's technological powers. We know that the Nazgul's cloaks remain a sinister black despite a journey to Eriador that has left Boromir's rich clothing travel-stained.** But you still need to acquire the feathers.

According to the internet (and the people who wrote the books that get referenced on the internet), goose feathers were used for arrows in Medieval Europe, and in staggering numbers:

Arrows were fletched with goose feathers, which were collected from the peasantry as a form of tax. In 1418-9 Henry V ordered his sheriffs (the royal officials in each county) to collect a total of 1.19 million goose feathers over the course of 10 months, to be delivered to the Tower of London by Michaelmas (on Sept. 29). A similar though smaller order, two years earlier, specified that six feathers should be taken from each goose. (Source.)

That's a lot of goose feathers.

So where is Sauron getting his feathers from? There is no mention of terrible depredations of poultry sheds throughout Wilderland or Ithilien. Is he taking them as tribute from the lands further east? And what of the orcs of the Misty Mountains? Is there a thriving trade (through intermediaries, perhaps) between Moria and the little-known poultry sheds of the Sea of Rhún? And are they goose feathers at all, since other birds can be used, and Sauron is cutting out the dye manufacturers by using black swans?

Which brings me to the Sea of Núrnen and its surrounding slave-tilled fields that feed the armies of Mordor. We're told that it's a "bitter inland sea", so possibly its tributaries rather than it are used for irrigation. In which case, why not use the lake for other things? In short I vote for giant goose (or possibly swan) farms. The resultant guano-based fertiliser can explain the famous stench of the Mordor air.

*And has anyone ever written the Dr Doolittle crossover? What with bird spies who must be given instructions and have their reports understood, and their impressive achievements in training wolves as riding animals, I feel that some at least of the servants of Sauron might have a new Fourth Age career in the entertainment and industrial espionage industries.

**Speaking of which, if Boromir got off on the wrong foot with the Council of Elrond at times, maybe it would have helped if, having turned up at dawn with news of a prophecy, they had put it off for 24 hours to allow him time for a good night's rest and a change of clothes. Especially since they spend the next two months hanging around there.
nineveh_uk: photo of lava (volcano)
I appear to be writing Kylo Ren fic. Save me!

Last weekend I bought The Last Jedi on DVD. It's really a very expensive public education film about the danger of cults.

Much as I've always been a sucker for tormented baddies, I suspect it is being over-generous to the characterisation to be reminded of Claggart's line from the libretto of Billy Budd, 'the light shines in the darkness, and the darkness comprehends it and suffers.'* Nonetheless, it is very apt.

Question: in which work of popular culture have I recently been reminded of the line 'build a Heaven in Hell's despair', because it certainly wasn't Blake.** It will probably turn out to be Twilight or similar.

*I'd be surprised if the biblical original hadn't cropped up at some point in contemplation of the Force, though.

**Hell for me will be the pit of boiling oil while an amateur actor reads the lesser works of Blake and Wordsworth for all eternity.
nineveh_uk: Picture of fabric with a peacock feather print. (peacock)
I really didn't mean to spend time today writing metafic on the Law of Conservation of Cock Size in some nebulous historical period of badly-spelled English,* but I did. I blame [personal profile] lilliburlero for the inspiration, and [personal profile] antisoppist for hosting the original commentfic. And of course the anonymous member of fandom who formulated the concept in the first place. I am calling it a writing exercise.

You may find is on AO3 here.

*Or badlie-spelt Englishe. It takes a surprising amount of time to insert it.
nineveh_uk: Illustration that looks like Harriet Vane (Harriet)
The silver lining of having a cold is that I have finally managed to start watching this series of Doctor Who (haven't seen the last two episodes, no spoilers please). I'm enjoying it quite a lot, but I did spend the first episode imagining what it would be like to be the Head of Department in a department with the Doctor in it...

------

'We're supposed to have an agreement. I give you an office, a lecture slot, and an admittedly modest salary. In return, you teach what you like with no questions asked, and give me four REF-able articles. Four 4* REF-able outputs that I can actually submit, unlike the ones you emailed me last week.'

'What's wrong with them?'

'They're on medieval Armenian poetry and we're the philosophy department.'

'Where's your imagination? I'm sure you can find a use for them. They're very good articles.'

'I know , I had them read by someone who can actually read Armenian. She said that they were the best work she'd seen in her career, and incidentally wherever did you find that new manuscript?

'I know that you don't like the REF, Doctor. Most of your colleagues don't like it either. As the person who has to deal with everybody else not liking it, I inevitably hate it. But until you give me four articles in a subject relevant to an existing University department or, if you prefer, invent time travel and stop it happening in the first place, I shall continue to nag you to ensure that you adhere to the terms of our agreement. Here's a list of departments. Four outputs, or time travel, Doctor, it's up to you.'

[worp worp]

'Of course we can add medieval Armenian poetry to the lecture list next year. Now if you could just remember that I will need your entry for the Great University Bake-Off Biscuit Challenge by Friday that would be great.'

-----

Meanwhile in the real-life department of Be Careful What You Wish For Studies, this gem from the Wikipedia article on the RAE:

The committee received submissions of research statements from 37 subject areas ("cost centres") within Universities, along with five selected research outputs.

[...]

A subsequent research assessment was conducted in 1989 under the name "research selectivity exercise" by the Universities Funding Council. Responding to the complaint of the Universities that they weren't allowed submit their "full strength," Swinnerton-Dyer allowed the submission of two research outputs per every member of staff.


And so the madness began.
nineveh_uk: Illustration that looks like Harriet Vane (Harriet)
I really did. I have just discovered the official video to I Would Do Anything for Love, which looks like it is the most expensive Phantom of the Opera fanvid ever made*. It features a falling chandelier, oodles of candles, and a miserable, deformed, and hooded bloke who skulks around in the shadows waiting for a woman who appears inexplicably interested in him.**

I would have unironically adored it in 1993, had I known that it existed.



*With make-up rather like Buffy's vampires.

**Christine Daaé at least had the excuse of free singing lessons offering a rather better career, not to mention the mind games.
nineveh_uk: Illustration that looks like Harriet Vane (Harriet)
I have written my most evil fic ever. More evil than Harriet and Peter furry roleplay. More evil than Peter with Alzeimher’s disease. I have written ... pet death.
nineveh_uk: Picture of hollyhocks in bloom. Caption "WTF hollyhocks!" (hollyhocks)
Youngest Sister is here for the weekend, and we thought we'd look up what this week's Studio Ghibli offering was at the cinema. Alas, I think not, after reading this blurb for the film Ponyo:

After running away from the sea she calls home, an effervescent young fish-girl is rescued and befriended by a five-year-old human boy called Sosuke.

Naming her Ponyo, Sosuke soon comes to realise the heartbreaking impracticality of their budding romance.


I think that even without the expertise in reading things into text brought about by an English Lit degree and years of fandom I'd probably be saying 'no' to that one. Yeah, yeah, I'm sure it's a charming tale of friendship, but I think I'll wait a fortnight for The Wind Rises.
nineveh_uk: Illustration that looks like Harriet Vane (Harriet)
On AO3, An Archetypal Schloss. Patrick Leigh Fermor/Tanz der Vampire crossover.

Caught in the wilds in treacherous weather, Patrick Leigh Fermor seeks shelter in a Transylvanian castle. It's not the first schloss that Patrick has visited in the course of his journey on foot through central Europe, but is he prepared for the perilous hospitality of the Graf von Krolock and his son?

This fic is the fault of [personal profile] white_hart, whose comment "But why does no-one appear to have written a crossover between Patrick Leigh Fermor's Between the Woods and the Water and Rocky Horror?" gave me the idea of this fic before I had read any more of Leigh Fermor than the extracts of Mani in my Greek guide book. Then she lent me the books. I have since purchased my own, as they are terrific in their own right and not simply as begetters of crackfic.

There is still no crossover between Between the Woods and the Water and Rocky Horror, but I hope that this is close enough to serve.

A note on the canons:

Patrick Leigh Fermor's books A Time of Gifts and Between the Woods and the Water* (together with a third posthumously-published volume I haven't read yet) are the account of one of history's great gap years, as 18 year old Patrick sets out to walk from the Hook of Holland to Constantinople. En route he stays in a wide range of barns, inns, a Salvation Army hostel, with a host of friendly people from bargemen to students to woodcutters, and in the schlosses of a string of aristocratic relics of the Austro-Hungarian Empire, where he is mentored by his older hosts and entertained by their offspring. The books, written over 50 years after the journey, are a fascinating look back at a world that was about to vanish entirely, a fact of which the older author is painfully aware, and the youth oblivious. In 1933, young Patrick's adventures had the charm of novelty, but he was also evidently tremendously personally engaging, and it can't have hurt that he was rather good-looking.

Tanz der Vampire is a German-language musical that follows the adventures of Alfred, the young assistant to a vampire-hunting professor, as they go horribly wrong. Attempting to save an innkeeper's daughter from the clutches of the vampire Count von Krolock, Alfred finds himself a guest at the Count's castle where he experiences some very bad dreams, gets hit on by the Count's son, and fails to save the girl. The girl didn't want to be saved, anyway.

*Not Death Twixt the Woods and the Water, that's the Harriet Vane crossover.
nineveh_uk: Illustration that looks like Harriet Vane (Harriet)
A sort of resolution is that henceforth when I have ideas for stories I should note them down rather than try to keep them in my head for years before eventually deciding I have time to write them. I don't have to write them straight away, just make a note. Naturally therefore noting something down turned into writing it more or less straight away*. I'm not entirely sure that this ought to be 2016 as I mean it to go on, but productivity counts for something, right? Even if the contents are completely mad.

So yes, fic. At A03: Uneclipsed

As for the content, it is, er, Dorothy Parker RPF/Tanz der Vampire crossover. I can't help it, it's the way my mind works. One minute you're listening to Total Eclipse of the Heart with vampires, next you're putting an English degree to dangerous use to reflect that the scenario fits beautifully against a Dorothy Parker poem, and then a month later you remember that you thought that and decide that clearly a crossover is the way to go.

It is a jeu d'esprit that I can't honestly think that it is of any interest to those who don't know the canon, so as a reward for reading thus far here is Parker reading One Perfect Rose instead.




*I blame walking to work on Tuesday
nineveh_uk: Illustration that looks like Harriet Vane (Harriet)
Having missed Spectre, and put off Carol until the Christmas break, I finally managed to get myself to the cinema not only once this week, but twice, indeed on successive days.

Bridge of Spies When I say that this was an excellent old-fashioned film, I mean that in the best way. It was possessed of such old-fashioned virtues as a strong script, coherent and engaging narrative, good pacing, fine cinematography, and top quality acting from all concerned. The film dramatizes an incident in 1960, in which a Soviet spy was exchanged by the USA for a US pilot whose spy plane was shot down over the USSR (the U-2 Incident), plus a student who got himself in the wrong place at the wrong time. Though the events of the story are greatly compressed, and there is little exploration of the wider context, the basic historical outline of the spy story is apparently fairly accurate. Tom Hanks and Mark Rylance are terrific as the leads, but there are also fine performances from the younger actors playing the US pilot and student, and by Amy Ryan as Donovan’s wife (also a tribute to the script, which resists the temptation to make her a metaphor for American small-mindedness, by leaving that role to the American officials who are being small-minded), and the eternal issue of how to deal with the accents of Russian and German characters speaking English is got round by casting Russian and German actors. Engaging and entertaining from start to finish, definitely recommended.

The Nutcracker, live broadcast of the Royal Ballet production from the ROH (see link for trailer). The music was sublime. The dancing was fabulous. The costumes were gorgeous. There's just one tiny thing...

I'm not saying the plot of The Nutcracker is ludicrous, but it's an excuse for dancing in the way that huddling for warmth is an excuse for fanfic porn.

I'm not saying the plot of The Nutcracker is ludicrous, but it gets more interesting in the second act when there isn't one.

I'm not saying the plot of The Nutcracker is ludicrous, but I ended up making sense of it as Drosselmeyer the toy-maker's forbidden love for his nephew.

Or as my father put it, it's a shop window plot, there solely to display the exhibits, namely a pretty Christmassy set and cute dancing children (act 1), and spectacular exhibition dancing (act 2). By the end of act 1 I had decided that good as the dancing was, I would never need to see it again. My life does not need toy soldiers vs. mice warfare in it. By the end of act 2, which is just a bunch of exhibition dances one after the other, I was converted. At least to act 2.

The dancing is gorgeous. The sugar-plum fairy and prince section was absolutely staggering and on its own would be worth the price of admission. It also illustrated the extraordinary tightness of ballet tights that appeared to be spray-painted on as the camera view showed the prince's thigh muscles quivering in the leaps. Mention must also be made of Gary Avis, playing Drosselmeyer as if auditioning to represent earth at the 2016 Galactic Cape-Twirling Championships. And passionately in love with his nephew. One of the cinema audience response tweets run across the screen at the end suggested there should be a Drosselmeyer spin-off. I am 100% behind this, just as long as it is the incestuous goth aesthetic version. With capes.
nineveh_uk: Illustration that looks like Harriet Vane (Harriet)
Did you know that Total Eclipse of the Heart was originally written as a love-song for a never-happened musical version of Nosferatu? Me neither. Nor did I know that it had subsequently been used in a different musical, the Austrian Tanz der Vampire (link in English), a musical version of Polanski’s The Fearless Vampire Killers, of which I was a teenage fan* in my ‘read/watch everything about vampires’ stage.

I learned this fact at the end of last week, and inevitably therefore have been enlivening working through the massive ironing backlog** while watching said musical on YouTube. Fortunately I don’t know Meat Loaf’s oeuvre, so I haven’t spotted the songs recycled from that. It’s all magnificently bonkers and surprisingly entertaining, and I really want to see it live, except that would mean going to Germany because there was a disastrously re-written Broadway production in the early 2000s that has torpedoed any further English language attempts for the foreseeable future. Anyway, Total Eclipse of the Heart makes far more sense once it’s about vampires, the German version would be an amazing karaoke duet, here it is. This version doesn’t have subtitles, but you don’t really need them to get the sense of the massive OTT-ness, complete with swirly cape action.



Sadly I fear the literal video version of this song, fun as it is, would be less engaging:

(Long intro)
Sometimes in the night I wander round on the stage and there’s nothing much to do.
(Long intro)
Sometimes in the night the audience wishes that something else would happen on stage.
(Long intro)
Sometimes in the night I cling onto a pillar that looks randomly like a totem pole.


Etc.

*I have also just realised that the plot of TFVK is a sort of mirror version of Keats’ Eve of St Agnes.

**All summer clothes now washed, ironed, and put away, hurrah!
nineveh_uk: Illustration that looks like Harriet Vane (Harriet)
No one voted for steady Freddie not because he’s corrupt, nor because it's an unimportant comment, but because it's literally true. No-one voted for Steady Freddie because Beta Colony is a dictatorship of the proletariat. The nickname reflects the fact that he is felt to lack revolutionary zeal.

Is it actually stated anywhere in the canon that Beta Colony is a democracy, or is it merely assumed by the reader?

*

On attempting to rescue Duv from being a class traitor...

Holonews interview with Duv Galeni, President of the People's Republic of Barrayar*:

'I admit that when I first turned from the Komarran Resistance and my family history, I was lead by false consciousness. And yet the foundation of that consciousness was a grain of truth, that the future of the Komarran people lay not in the restoration of the oligarchs, but in an interplanetary solution for the benefit of the working population. I believed, then, that the solution lay in working in Barrayar - what I failed to see was which Barrayar I should work with. I studied political history, but it was the history of the Vor. It was only when I met my father, on earth, that I came to examine my roots and my reactions to them. Why did I resist his ideals? Why had I thrown in my lot with the Imperium? Out of hope for personal gain? Surely not - I might have made more money through connections on Komarr, and I knew that the highest echelons of Barrayaran society must remained closed to me. My father accused me of succumbing to 'the glittering tinsel of neo-fascism': those words were my political awakening , not because I believed his accusation, but because they lead me to the history of earth, and to communism.

I came to realise that my father was not a true revolutionary. His goal had been to restore Komarr to what it had been, to the oligarchs. Here lay no true freedom for the proletariat, but only a more benevolent Jackson's Whole, different by degree, but not in essentials. Why did the Komarran Resistance die as a serious political force? Because it was controlled by the capitalist class, who naturally allied themselves with their Barrayaran counterparts.

Moreover, as I learned more about the communist struggle, I felt less and less that it was right for Komarr to be free, if that meant free to work only for Komarr, while the Barrayaran proletariat suffered under the imperial yoke. The workers movement must be interplanetary, and to lead a Komarran revolution, I must begin on Barrayar.'

*strikes up the intergalactic version of the Internationale*

*There is not nearly enough jargon in this, forgive me.
nineveh_uk: Cover illustration for "Strong Poison" in pulp fiction style with vampish Harriet. (Strong Poison)
Would you like to sin
With Elinor Glyn
On a tiger skin?
Or would you prefer
To err with her
On some other fur?


You can’t say I didn’t promise something appalling. There’s no point trying to build up to this one, it is what it is. And what it is, is Peter/Harriet furry sex-tape fic.

Let me explain. The condemned are allowed a last word.

So, there was this story in the Daily Mail (so as we know, it’s absolutely true), and subsequently in the Independent. In summary, a man was charged with the possession of extreme pornography and was on bail for six months – with the prosecution only realizing that the tiger having sex with the woman in the rather fuzzy video was not a tiger (hence the extreme pornography bit), but was in fact a man in a tiger costume, complete with Kellogg’s Frosties cereal strapline. The prosecution was dropped.

And then someone on FFA posted this comment: 'Fellow Dorothy Sayers fans, please tell me that you, too, are thinking of Busman's Honeymoon and laughing uncontrollably.'

There are two things in life I cannot resist: the common cold, and a cracky Wimseyfic premise. So here it is. You will be relieved to hear that I do at least maintain my inability to write anything explicit, so PG rating, albeit the parents in question are insane.

No shabby tigers )
nineveh_uk: Illustration that looks like Harriet Vane (Harriet)
I am writing the most appalling crack fic Wimseyfic EVER. Honestly, even by my low standards this is utterly irredeemable.

It is rather fun, though. In an appalling sort of way.
nineveh_uk: picture of holly in snow (holly)
It’s that time of year again! The cards creep into the shops. Mince pies and whatever “Ecclefachan”* pies are start to appear on the shelves. Far, far away the attentive ear catches the sound of reindeer bells, and on a screen near you the first signs of Yuletide start to be seen. Which means that it is time for the return of How Will You Ruin Yuletide?

I first ruined Yuletide in 2009.

I did it in 2010 with a poll.

And again in 2011, on both LJ and DW.

In 2012 and 2013 I ruined Yuletide by not Ruining Yuletide. That is worst of all.

And now it is 2014, the nominations are in, the fandoms are being sorted, people are are having arguments about what should go in Yuletide letters, and whether saying you don’t want cannibalism in Flower Fairies fandom is kinkshaming.

So I have two choices. I could Ruin Yuletide by write a very long post about how to do everything right that is actually accurate and quite reasonable (except that it is 20,000 words long and starts a flamewar on [community profile] yuletide_coal that spills over into civil war in Quebec), and then break the spirit of every rule in my own fic.

Or I could do a Yuletide Hell game post. I choose the latter.

The rules are simple: write in comments the Yuletide prompt that you would hate to get. Others are then invited to try and write a sentence of it.

Like every other facet of Yuletide, it is of course more complicated. To be true to the spirit of Yuletide Hell, there is no possible degree by which your prompt could be too entitled, self-contradictory, and generally batshit. While optional details are entirely optional I nonetheless expect that all prompters on this page will have many optional details that they will fully expect their writers to cover, and will also be dreadfully, mortally offended if writers do not merely cover the prompt, but fail to intuit what the requester wanted but forgot to write down.

Here are mine to start off with...

(1) Measure for Measure. Angelo/Isabella. Thanks so much for writing this for me, Yuletider! I know that you’ll do something true to the spirit of Shakespeare’s play! Though don’t do iambic pentameter unless you can really measure up to the standard set by Will as I find bad poetry triggering. Angelo and Isabella are my OTP, so it’s such a pity that Isabella’s internalised misogyny and Vienna’s slut-shaming culture make her unable to respond in a sex-positive way to Angelo’s proposal. I’d love some fix-it fic that has Angelo teaching Isabella to respect her identity as a sexual being. Also, it’s so stupid that Juliet and Claudio don’t practice responsible contraception. I know it’s 1603, but NFP was available then and they should have educated themselves more responsibly, so no babyfic. Bloodplay and BDSM are canonical, so don’t leave them out.

(2) 17 Moments of Spring. Stirlitz/Schellenberg. Omegaverse. I just think that the confluence of the last days of the Third Reich and A/B/O could lend a really fascinating dimension to the story. Obviously in order to respect the very serious setting of the canon complete historical accuracy is a must. It is particularly important that you get the uniforms right.**

(3) Lord Peter Wimsey. Bunter. Bunter isn’t actually in the list of characters, because I didn't nominate the fandoms I planned to request because the Spirit of Yuletide means other people should nominate them for me while I nominate for things I want to write experimentally but actually hate, so I selected Any, but that doesn’t matter, he is still the main one you should write about. I have a very, very specific story in mind, and if you don’t write about this then obviously you are going to ruin Yuletide forever and also possibly cause me to go on the rampage and destroy all Christmas trees within a hundred miles. I’d like a post-war story that has Bunter start by wanting to help Peter to overcome his shell-shock, but he gets to like Peter being dependent on him and when he realizes that Peter doesn’t remember what happens during his nightmares, starts to coerce him into acting as his sex slave. But Bunter’s got an enormous sex drive (and that’s not the only enormous thing, lol!) and wants more sex, so he tricks Peter into thinking that hypnotherapy will help him, so that he can force him to have sex whenever he wants. Please respect Bunter’s demisexual identity.

BTW, I know that the Wimsey canon can be intimidating for a first-time writer, but don’t worry. As long as you avoid the most egregrious Americanisms and make sure you say things like “settee” instead of sofa, couch, or Chesterfield, and stick closely to Strunk and White, I’m sure you’ll be fine.

*Some sort of cross between Lancashire and Wales?

**Note in 2015. The recipient was lucky enough to receive an absolutely masterful fic for this prompt, in which Stirlitz’s cover is blown when he screamed in Russian during childbirth.
nineveh_uk: Screenshot of Wimsey and Bunter from the 1987 television production. (wimsey and bunter)
The splendid [personal profile] lilliburlero has liveblogged* The Healing Fountain, my fic in which Hilary Thorpe writes a romance novel with Bunter as the hero. I am now adopting the word "quotesex", which indeed describes 95% of all sex within Wimseyfandom.

I am supposed to be working from home writing the report on the Meeting of Doom. It is proving very heavy going. Now I am refreshed, I had better get back to it. Onwards!

*Ed. Now with the link.... Take it as a testimony to how deep in concentration I am on my report.
nineveh_uk: Screenshot of Wimsey and Bunter from the 1987 television production. (wimsey and bunter)
I posted, you were polled, this resulted.

Life is too short for the full version, but the edited version can be achieved while cooking dinner.

The 1950s Peter Wimsey Adventure That You Chose

‘Oh no,’ said Harriet, as the body came into view. It wore a familiar tweed suit. ‘It’s Hope.’

*

‘That doesn’t look right,’ said Peter, as the boat drew nearer. He shouted something at the diver, his words blown away on the wind, but the man seemed to hear. He bent over the corpse and seized the hair.

‘Peter, what is he – ’ It came away in his hand, a dark wig revealing a man’s closely-cropped head beneath it.

‘Who on earth,’ said Harriet, ‘has managed to get himself drowned while dressed up as Bunter’s wife?’

*

Read more... )

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nineveh_uk: Illustration that looks like Harriet Vane (Default)
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